Baroque hoorn
After a triple wound instrument by Johann Wilhelm Haas, Nuremberg (1725).
The original is in possession of the Germanisches National Museum in Nuremberg.
By replacing one turn by different crooks, without changing the typically baroque "mensur",
the instrument is suitable to play in G, F, E, E-flat, D and C.
Pitched in a=420 Hz for using the "Stopf-technik", or 415 Hz for open use.
Because of the lack of a tuning slide, tuning bits are available.
Classical handhorn - French model

After J.H.Raoux, Paris (± 1800).
The original is in possession of the Rijksuniversiteit Utrecht. A typically French orchestrahorn,
with 9 crooks (B-flat, A, G, F, E, E-flat, D, C and B-flat-basso).
Pitched in a=430 Hz.

Classical handhorn - Bohemian model
 
After A.Körner, Vienna (1795).
Original is in possession of the University, Leipzig. A Bohemian/Viennese instrument
with a very large bell. The tone quality is "big and round".
Available with 9 crooks (B-flat, A, G, F, E, E-flat, D, C and B-flatbasso).
Pitched in a=430 Hz.
Cor - Solo
Based on instruments of the family Raoux. Available with 4 cylindrical tuningslides
of different lengths, to play the instrument in G, F, E-flat or D.
Pitched in a=430 Hz.
 
Extra's
  • Painted decoration on the inside of the bell on request.
  • Different pitches are possible.
  • Mouthpieces are made, after originals, by hand either out of sheet or solid brass.
    Rim and diameter as desired.
    See 'mouthpieces'

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
Move over horn-model or extra's for info